Enjoy with us the Melodious Nubian Music

Fascinating Nubian Songs & Music, Contemporary Nubian singers,The great Old Masters of the Nubian song, Nubian Music, Nubian Musicians, Nubian Composers, Nubian Damce - Arageed, Nubian Arageed Dance Troupes, Nubian Weddings,

Nubian Music is the Essence - A short history

The same way as the Nubian language is the root language of the Nubian Nile Valley - amd possibly the first structured language in the World, from which other languages sprang and evolved, Nubian music as well can be considered the root - or the essence - of musical development.

They listened to the sounds of the flow of the Nile river, the tunes of the wind whistling through the palm fronds, the weeds and the foilage, or whooping past the rocks of the mountains. They got pleased and excited by the singing of the many types of birds chirping around them. They also enjoyed the rhythms emitted by the waves hitting the rocks, the galopping of wild animals, the sound of the bird's wings flapping in the wind. They were among the first humans - the "Homo Erectus", also called "Homo habilis", living since very ancient times - at least since 700'000 years, but possibly since up to 2 million years - in the fertile and hospitable Nile valley, in the lands that today are called Nubia, stretching from Aswan (Southern Egypt) in the North to close to Omdurman (North Sudan) in the South. They were the ones who developed the first human settlements as early as 100'000 years ago, developed the first human civilization. These early inhabitants of Nubia also made the first astronomical observations, and developed the first mechanical devices. We can easily imagine that they also imitated the sounds of nature, not only to hunt or to communicate, but also to express their joy and their sadness, and further developed them to songs and music, tens of thousands of years ago. Since earliest times they also clapped their hands or beat a stick onto wood or stone, creating various rhythms and the first drums, to communicate over larger distances, and also to accompany their songs. At least 7000 years ago they used the "rock gong", of which many were discovered in Upper Nubia. Listening to the sounds the wind emitted from a broken weed pipe, it was easy for them to invent the whistle and the flute. And while the wind vibrated the strings they made for hunting and fishing, they soon used them to create the first string instruments. Of course, there aren't any painted or written records or artifacts they left us; that all happened in prehistory.

In later times, since about 70'000 B.C. - as the inhabitants of the Nubian Nile Valley had created sharper and more efficient tools known as "Nubian Complex" - they certainly developed more sophisticated musical instruments, using a variety of additional materials such as bones, ivory, animal skins, wood and others - further varying the rhythms and the sounds. Beside using the sounds in hunting and for communication, music also became a form of entertainment and communal expression, and we can assume that since very old times the first Nubians sat together in the evenings singing and accompanying it with music and percussion, like the famous Nubian artistic gatherings are persisting up to this day, only adding some modern music instruments.

Nubian music is based on the pentatone scale, representing the five essential tones and notes, that underly African, Chinese and Indian music and many of the music types played in the World. For the last few hundred years, the Nubian melodies have been and are still composed in the creative pentatonic scale - what Nubian music is famous for, especially for songs in the Fadikki (Nobiin) Nubian language. Influenced by Oriental music and Arabic maqams, some precursors of the contemporary Nubian songs - who sang Nubian melodies with Arabic lyrics, and some musicians like Hamza Ala' Eldin, Ali Koban and Ahmed Mounib, the internationally renowned singer Mohammed Mounir, the Black Theama music group as well as the Jaafari Arabic speaking community and Kenzi (Matokki) Nubian singers sometimes use the "western" heptatone scale in their songs. As per the words of the famous musician Hamdy Dakrony, even if you want to learn Sudanese music, Oriental popular music, or the music of the Arabian Gulf, you should first learn Nubian music, and the rest will be very easy.

Nubians take their love for music with them wherever they go; during the long boat, train or bus rides through arid landscapes the common songs provide a pleasant entertainment. As most voyages were done by ship, the captain of the vessel - whether it is a Nile felucca, a motor boat or a passenger ship - used since old times to entertain his passengers playing music and singing well-known songs, and their lyrics were than enriched by new rhymes in the places where they were ankering their vessels. Throughout history, Nubians used to sing when they visited another village, announcing to their hosts that they came with peaceful and good intentions.

Nubian art has withstood and survived many obstacles; in an effort to unite their people, in Sudan former governments led massive Arabization campaigns, during which music and songs from Nubia and other ethnicities were banned from public broadcasts. As many young Nubians left to the major towns for study or work, they were partly cut off their artistic heritage. Nevertheless, when ships came to Khartoum and the South with passengers from Nubia, singing their beautiful songs, Sudanese people from other regions came to the border of the Nile to listen to them. In Southern Egypt two thirds of the Nubian lands were flooded after the construction of the Aswan High Dam, which drowned many Nubian villages under the rising Lake Nasser. Some of the inhabitants were relocated in villages far from the Nile river into arid landscapes and crammed villages, and they had to struggle to survive. Their songs acquired a new purpose. While old Nubian songs mostly glorify love, mutual affection, life wisdom and ethics or speak about work or longing for their loved ones who travel far away, Nubian songs became a stage to lament the loss of their villages and beautiful nature, the lands which carried all their memories and the roots of their livelihood, and to vent their anger and disappointment. Patriotic songs now mixed with traditional ones - and they are part of the songs played at wedding parties or other festivities.

It is Nubian art - and foremost music and songs - that allowed Nubian culture, language and traditions to survive. Even Nubian communities scattered all-over the big towns in the extended region, in surrounding countries and other continents cherish their link to each other and to their mother lands. Foremost in Nubian regions themselves - but also wherever there are Nubian clubs and communities, artists gather in artistic sessions during which they share their songs and discuss the improvement and spread of their art. Although some young Nubians are influenced by modern instruments and foreign music types, and some fuse them into rhythmic displays that keep few features of traditional Nubian art - singing mostly in Arabic, having large followings among the Egyptian and Sudanese youth, most young Nubian artists adhere to their traditional music.

From time to time concerts are organized by the various Nubian associations, and young men and women form troupes and train to perform amazing dances, adding many elaborate and coordinated movements to the traditional "Arageed" dance. Nubian dance groups - even children troupes - wearing traditional costumes are also displaying their art during various events, festivals or television shows, raising awareness for the culture of this people who has long been the victim of neglect even inside Egypt and Sudan - due to the lack of peple's knowledge and racist connotations. Even in industrialized countries that have been focusing on Egyptian and Middle Eastern history for centuries, the Nubian heritage has long been denied. Only recently, thanks to amazing discoveries by archaeologists in Southern Egypt and Northern Sudan, Nubian history and heritage have been recognized and are gradually making their way into history books

Broader availability of the Internet is an essential means to tie links between Nubians dispersed over extended areas. Much effort has been made to encourage young Nubians to embrace the art of their ancestors and to learn the Nubian language - as many families had abandoned it after leaving the Nubian regions. Many Nubian initiatives to teach the language, traditions and visual arts and to display Nubian heritage in museums and touristic villages, as well as applications and websites, all contribute to finally restore the noble Nubian art to its deserved praise and admiration. Take a journey on our website to share and enjoy with us the excitement, joy and deep feelings Nubian art can provide!

The great Nubian musician Hamdy Dakrony speaks about Nubian music

The creative Nubian musician Hamdy Dakrony, who had done the musical arrangement and recordings for several of the great masters of the Nubian song, among which the wonderful artist Khidhir El-Attar, explains the specifities and development of Nubian music

Wonderful documentary about Nubian music and song by Al Jazeera Documentary channel


Nubian music instruments

Homo erectus making tools

Development of tools

Development of tools

Nubian lands stretch about 1000 miles (1600 km) from today's Aswan (Southern Egypt) to the convergence of the Blue Nile into the White Nile, North of Khartoum, embracing six cataracts - or rapids - retaining the waters of the Nile between them and forming one of the most naturally fertile environments in which humans thrived since hundreds of thousands of years. They developed and refined stone, ivory and bone tools, with which they created the first percussion and music instruments.

Ancient human with a spear

Ancient human with a spear

Social evolution

Since the first humans populated the Nile Valley, they lived in groups, hunting, fishing, collecting wild vegetables and fruit, and protecting each other. They communicated, probably in the language that is known by linguists as Proto-Nubian, and engaged in social activities like singing, clapping and dancing during social events and rituals; that was the birth of human civilization. In the evenings, they likely gathered around a fire, singing, clapping and dancing, expressing their joy or sadness and feelings of bond and mutual solidarity, quite similar to today's "artistic gatherings" lovefully practiced by the Nubians.

Community clapping

Community singing and clapping

Dancing around the fire

Dancing around the fire

Nubian rock gong

Rock gongs at the British Museum, salvaged from Meroe - in Nubia near the 4th Nile cataract - before flooding due to the construction of the Meroe dam

The Rock Gong

The oldest preserved percussion instruments, hundreds of which were found in Nubia, are the so-called "rock gongs", believed to be almost 10'000 years old. These are large slats of rock emitting various sounds when percuted with rounded stones especially used for playing these instruments. The differing consistency of the rock slats, bearing marks of percussion on various places, emitted different sounds thereby creating melodies. Early cattle herders in the Nubian nile valley used them to communicate with far-away villages as well as to accompany singers and dancers, enjoying early forms of music.

Ancient flutes

Mammouth bone and ivory flutes

First flutes

Although it isn't easy to find smaller artefacts in the Nile Valley, due to the yearly deposits of several layers of silt during the Nile flood, some flutes have been found on the migration routes used by Nubians - or ancient people wandering through Nubia, when they emigrated from Africa, thereby spreading their knowledge. Beside stone tools of the "Nubian Complex" category, in a cave in Slovenia a bone flute dating back 60'000 years was found by archaeologists, the oldest music instrument ever found in the World. The flute had three holes in the front and one at the rear, emitting the five basic notes, allowing musicians to play even modern melodies on a reconstructed copy. Ancient Nubians certainly created flutes from reed, mammouth bone and ivory.

Flute dating back 60'000 years

The Tar

The "Tar" - or Def in Arabic - is a hand drum originally consisting of a wooden ring covered with a goat skin, artfully played by Nubians percuting the center of the drum with one hand and adding lighter percussion with the fingers of the second hand holding the instrument. This instrument as well is certainly of very ancient origin, and it is represented in Egyptian paintings and engravings. The Tar, usually played by three musicians - one playing the main rhythm and the others the "adorning" sound - the "nagrishat" is essential in most Nubian songs. It may accompany a singer, or group or singers, or be part of a larger orchestra. The tar also defines the rhythm for the popular and artistic "Arageed" dance.

"Aragide" Music Group with the Nubian singer Farah Elmasry performs playing the "Tar"

Hamza Ala' Eldin plays a song with "Tar"

A beautiful dance troupe dances to the sound of the "Kither"

The Kither

The "Kither" or "Tanboura" in Arabic, from which the name "guitar" for the modern Western instrument is probably derived, is as well a very ancient lyra-like instrument consisting of a drum covered with a goat skin, from which two branches emanate tided together with a horizontal branch at the end to which the originally five strings are attached. Ancient writings mention it since 2'400 B.C. It is entirely produced from local materials available in Nubia. Today's kithir may have double strings or more than five strings, however Nubians still play on it their traditional pentatone songs. One of the great masters of the Kither was the wonderful Nubian musician and singer Mohammed Wardi, as well as the outstanding professor and all-round artist Mekki Ali Idris, who up to this day insistis in playing only his traditional instrument.

Prof. Mekki Ali Idris, the great master of the "Kither" and an excellent Nubian musician, plays and sings his song with artist Majid Mounawar

Female musicians

Female musicians - one playing the "Kither"

Musicians playing the Tar

Musicians playing the "Tar"

Ancient representations of Nubian music instruments

These two very ancient Nubian instruments are represented on various temple walls, graves and pyramids as well as painted on papyri as well in Egypt as in Nubia. Known since ancient times for their outstanding art, Nubian singers, musicians and dancers were often hired to entertain the Egyptian pharaohs or perform during festivities and ceremonies, and the Nubians continue adhering to this ancient tradition. This shows the importance and significance music, song and dance enjoyed in the Nile Valley since thousands of years...

The Naqqar

The Naqqar is another traditional Nubian percussion instrument, a double-sided drum with a wooden cylinder covered on both sides with goat or other animal skin, which is percuted with sticks or with the hands and emits a typical low persisting sound emphasizing the Nubian rhythms. It was used in "Old Nubia", mainly during weddings and other festivities. The Naqqar was most common within the Nubian Kenzi - Matokki community. Today the Naqqar is replaced by other types of drums.

Fertile silt deposits

Nubians playing the 'Naqqar'

Old Nubian wedding with men playing the 'Naqqar'

The wonderful Artist Ghazi Said playing the Oud and singing his song "Ay Fajour Embayana", written and composed by the excellent Nubian poet Dr. Mustafa Abdelqader

The Oud

Since the beginnings of the past century, Arabic music - surrounding the Nubian region - was well-known and an inspirations to Nubians who listend to it through radio broadcasts and records. The Oud - or Luthe - is the most outstanding instrument in Arabic music, and so it was soon adopted by Nubian artists. Hamza Ala' Eldin was the most prominent Nubian artist introducing the Oud into Nubian music, and propagating it worldwide; however, it was soon adopted by other Nubian musicians and singers, and underlies many Nubian songs until now. Two of today's greatest Nubian artists and Oud players are the famous Ghazi Said and the wonderful musician, poet, composer and singer Seid Ibrahim Qurty, both from Lower Nubia (Southern Egypt).

The great master of the Nubian song, Hamza Ala' Eldin, plays and sings "Nubala"

Flute, Accordeon and drums

The rich Sudanese music, which was played since long time by large orchestras and - like Nubian music - is based on the pentatone scale, was and is still beloved by all Nubians. It was widely broadcasted by radio stations all-over Sudan, including the Nubian North. Beside the Oud and violin, the accordeon and (trombone) also entered Nubian orchestras, the first of which was formed by the famous musician and singer Ali Koban who spread the modernized Nubian song throughout Egypt, many Arabic countries as well as to European countries and America. Several of his musicians, like the acordeonist Shams Hussein later formed their own music and Arageed folklore groups.

The beautiful singer Ensaf Fethy reherses the beloved Nubian song "Ayrom ayga aningutogoo" with its author, poet Mutwekel Awad, who plays 'Kither' accompanied by oud and accordion player

The Nouba Nour music group sings 'Abayasa', a famous Nubian song written and composed by the great Nubian artist Ahmed Mounib, accompanied with flute

The great pioneer of the contemporary Nubian song, Mohamed Wardi, sings his song "Ikkaijilly Kamashka" with his orchestra

The famous singer Ali Koban founded the first Nubian orchestra in Egypt

The Great Nubian Orchestras

Since the Mid-Nineteenhundreds, when the modernized Nubian song became popular outside of Nubia itself, leading Nubian artists formed larger orchestras comprising a variety of instruments. The most outstanding orchestra was doubtless the one of the extraordinary artist Mohammed Wardi, who wrote, composed sang and musically arranged his songs and played himself a variety of instruments. Other great Nubian orchestras were the one formed by the internationally known musician and artist Ali Koban, the unforgettable singer, musician and composer as well as actor Khidhir El-Attar, who performed at great venues in Egypt and France, and also the famous musician Ahmed Mounib. More recently, the creative musician and singer Assem Khitam performed with the chorale and orchestra of the Sudanese Music Institute, and he trains young Nubian musicians.

Nubian musicians playing the organ rehearse for a concert in Aswan; Abu Youssef, Jiddo Ahmed Kurdi, Abdel Ghaffar Abdel Fattah, Abdel Ghaffar Hassan, Youssef Abaza Abu Mohammed and musicians Karam Sultan Abu Simbel, Shukry Abaza, Moamen Hassoun, Essam Abu El Nasr, Mahmoud Saad, Hamo Hamza Sherif Khi.

The Organ

By the end of the last century, the organ - or keybvoard - gradually replaced the larger orchestras, as most instruments can be mimicked on this comprehensive instrument and it is more versatile for the singer to take it with him to a concert. Several musicians and artists introduced this new hi-tech instrument into the Nubian song, one of the pioneers being probably Imad Abaza, Mutasam Hassan and Abdo Gourroub as well as Assem Khitam. Nowadays, the organ - and often several keyboards - are accompanying the singer or played by the artist himself. Most Nubian songs which are recorded in music studios today are accompanied by the organ.

Artists and organists Ashraf Bata, Assem Khitam, and Karam Sultan as well as Ahmed Buko enjoy an artistic gathering

Artistic gatherings

Art, music, singing, poetry and painting are not only a way to express their love for nature, but also to celebrate their joy and happiness sharing it with their community. In heartly artistic gatherings, artists and their friends sit together, play music and sing expressing their deepest feelings and excitement. This most authentic and heartfelt form of Nubian music is practiced by many Nubian artists, who often sing together or one after the other, and can be enjoyed throughout Egypt, as well in the villages around Aswan and Nasser El Noba, as in larger towns like Cairo and Alexandria as well as throughout Upper Nubia (Northern Sudan). In particular, the great artists Fikry El Kashef, Ashraf Bata, Hisham Bata, Mekki Ali Idris Seid Ibrahim Qurty as well as many others prefer to perform during artistic gatherings, rather than on stage.

Beautiful artistic gathering of artist Hussein Hamza and the Dongola Nubian Heritage music group

Artistic gathering with the Nubian artists Ghazi Said, Amjad Saber, Ahmed Ismail and musician Hassan Adindan

Young Nubians share their joy in a beautiful artistic gathering, singing a song by the excellent artist Mekki Ali Idris

The young creative artist Mizo El Sudani sings at an artistic gathering at artist Fikry Elkashef's guesthouse in Abu Simbel

Young Nubians valuing their noble heritage

Despite the fact that many young Nubians grew up far away from their Nubian homeland, encouraged by Nubian language teachers and artists, there are several talented young emerging and established singing artists, musicians and dancers who strive to keep their heritage alive. Among them we can quote the creative young artists Ahmed Ismail, Amer Dawood, Jiddo Seif, , Nabil Fethy, Mizo Al Sudani, Malek Fadhel, Fedwa Mohammed, Abdelrahman Elomdeh, Hamo Bata, Bibo Adam and others.

"Nub" Association's orchestra plays with the beloved artists Ahmed Ismail and Hassan El-Seghir

New developments in the field of Nubian music

Today, there are new attempts by Nubian artists to promote the popularity of Nubian art. While the Nubian Society for Nubian Heritage and Development has formed a new beautiful orchestra, which accompanied in its last concert famous artists such as Ahmed Ismail and Hassan Al-Saghir, many musicians such as Hamdi Al-Dakrouni, Ahmed Boko and Asem Khatam are providing music lessons and teaching songs and musical instruments to Nubian youth. This is an ideal opportunity for young Nubians to learn singing and playing a music instrument, experiencing joy and self-confidence, and possibly embrace an artistic career and earning a spot on the great path of Nubian art.

Ancient flutes

The great musician Hamdy El Dakrony offers various music lessons in Aswan

The Nubian Rhythms

The creative artists Amer Dawood and Amir Hejazy play "Arageed" rhythms playing the Tar, singing and dancing with their audience during a concert at "Nobadia" Cultural center in Cairo

The Nubian Rhythms

The Nubian music and songs rely on specific traditional rhythms, which give Nubian music its specific character and incentive moving the souls and bodies of the public to dance. Nubian songs rely on six basic rhythms, extending to 11 - which can be varied up to 21 rhythms. The singers, musicians and listeners become entirely immersed into the songs, and often add to it by clapping or dancing. The Tar - traditionally played by three musicians - give a distinctive rich and smooth sound, with one player leading the main rhythm while the other two enrich it with complementary adorning sounds, or "Nagrishat".

Tar teacher Zatoona shows some of the main Nubian rhythms played on the Tar, or Def in Arabic

The "Kef", artistic hand clapping

Hand clapping accompanying the music and song is probably the most ancient way of underlining a rhythm, and might have been done for hundreds of thousands of years. In Nubia however, hand clapping during a song became an art in its own right. Often done by a group within the public, clapping in varied ways with differently spaced intervals, often while dancing the "Arageed" dance, adds an exciting artistic feeling to the music. Like the artistic Arageed dance troupes, which perform in astounding displays with varied sophisticated movements, the "Kef" as well became an art by itslef for which groups of friends train during their free time.

During a beautiful artistic meeting with the artist and musician Sayed Ibrahim Qurti, the art lovers present clap their hands to emphasize the rhythm

This song by the great master of the Nubian song, Hamza Ala' Eldin, is accompanied by Nubian hand clapping in artistic patterns

Songs influenced by Egyptian street music and Western music

Aswan youth singer Abdelwahed Al-Benna sings the song "Aselokky" in Arabic during a TV show

Songs influenced by Egyptian street music and Western music

Much of the young Nubian generations, children and grand-children of the Nubians who were displaced into large towns after the flooding of their home villages due to the Aswan High Dam, adopted Arabic as their main language - or don't speak Nubian at all. As a result of the loss of their original culture, and under influence of the Egyptian street music (mahrajanat) and Western songs, they invented a new type of "disco"-like music, using Nubian rhythms - often accelerated - singing in Arabic, mimicking the movement of their "disco" or "mahrajan" - idols. Mixing their Nubian background with modern music types, they got a large following mainly among the Egyptian youth, who misinterpret their songs as Nubian music.

Singer Bibo Adam performs with a song in Arabic during a concert in Aswan

"Black Theama" music group sings the modified Nubian song "Adila", written and composed by the wonderful Nubian artist, poet and musician Mekki Ali Idris

Mohamed Mounir sings with the reggae band "The Wailers" the song "El Leila Ya Samra" by the late Nubian artist and composer Ahmed Mounib

Nubian music influenced by jazz and reggae

One of the factors for the development of estranged Nubian music is the mixing of original Nubian melodies with jazz and reggae, prominently done by the acclaimed Egyptian singer Mohammed Mounir, of Nubian origin, who rose to fame not only in Egypt and the Arab countries, but also abroad, mainly in Germany. Mohammed Mounir has a large following, mainly among the youth, both of Nubian and non-nubian roots, and many within his public consider his songs the only so-called "Nubian" music they know.

Nubian artists and researchers comment about the Nubian music

The exceptional professor, researcher and poet Mustafa Abdelqader and the wonderful Nubian artist Ahmed Ismail talk about the Nubian music and song during a TV interview by "Nuba Notto" TV channel

The revered Nubian professor, musician, poet, composer and singer Mekki Ali Idris talks about the Nubian language and music during the cultural salon of Dr. Farajallah Youssef. - on Shamandoura TV

The great master of the Nubian song, late Seid Gayer, talks in an interview about the beginnings of the Nubian music and the Nubian song

The great artist Ahmed Gayer, son of the famous master of the Nubian song Seid Gayer, explains the development of the Nubian song during a discussion with the famous artist Majid Mounawar and the great poet Ezz Eldin Abuzeid

Introduction into the online seminar of the association Nubiana by Dr. Hussein Hassan, about Nubian Music and its influence, with the participation of the great musician and composer Prof. Mohammed Ajaj, who made his Doctorate about the Nubian song, and led a 30-series program about the Nubian songs on Omdurman Channel

Intervention of the great Nubian poet Mohammed Saleh Mohammed Fadhel, nicknamed "Mohammed Fadhel Tubuq", during a wonderful seminar by the association Nubiana about Nubian Music and its influence, in which he explains the beginnings and instruments that shaped and evolved with the Nubian music

Intervention of Prof. Mohammed Saleh Awad, who explains the move of some former masters of the Nubian song from the pentatone to the heptatone scale, influenced by their relocation amidst Arabic environments and the developments of Nubian music in Egypt, during a wonderful seminar by the association Nubiana about Nubian Music and its influence

Intervention by the worldwide renowned Prof. Mohammed Al-Mawsely, maestro and a legand in Sudanese music, originating from Dongola, about the specifities of the Nubian music, during a wonderful seminar by the association Nubiana about Nubian Music and its influence

Intervention by the worldwide renowned Prof. Mohammed Al-Mawsely, maestro and a legand in Sudanese music, originating from Dongola, about his experiences with the great Nubian artist Mohammed Wardy, at the occasion of a wonderful seminar by the association Nubiana about Nubian Music and its influence

Prof. Mohammed Ajaj speaks about the influence of the great Nubian artist Mohammed Wardi's songs on other Nubian singers, at a wonderful online-seminar of the association Nubiana about Nubian Music and its influence

Intervention by Dr. Mohammed Abdelrahim Abdelrahman, musician and violonist, explaining the Nubian music instruments and influence of Nubian music in the Arab Peninsula, during a wonderful seminar by the association Nubiana about Nubian Music and its influence

Intervention by Prof. Yahya Al-Taher, speaking about the "rock gong", an ancient percussion instrument found in Southern Nubia (Northern Sudan), on the occasion of a wonderful seminar by the association Nubiana about Nubian Music and its influence

Intervention by Professors Salah Sha'ib, Mohammed Yousef Wardy, Hajjaj Oddoul, Mutwekke Khalil Usuallah and Awad about Nubian rhythm, during a wonderful seminar by the association Nubiana about Nubian Music and its influence

The great musician Shams Hussein, leader of the "Shams El-Noba" music and dance troupe, speaks about the beginnings of the contemporary Nubian orchestras and music

The outstanding professor and poet Mustafa Abdelqader speaks about the Nubian song from 1950 to 1984, explaining its role as a messenger between the village and villagers who traveled, as well as a tale about Nubian life and love, and a message of wisdom

TV program with the worldwide renowned Nubian artist Hamza Ala' Eldin's family about his life and artwork - Al Bedil TV

Dr. Mohammed Omar Taha, the great professor of Nubian language and poet, speaks about the embassador of the Nubian song, Hamza Ala' Eldin

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